Wide color gamut displays combined with good color management and the web as a broadcast platform will allow content to accurately be displayed in the original color gamut. Some players in the industry, notably Sony, are already doing this with 4K content. If there’s no content available and you believe in 4K resolution, you just deliver your own content directly to your customers. With the web we can deliver whatever we want, whenever we want. The first thing to note is that the internet is democratizing broadcast and distribution channels. What content delivery looks like tomorrow How do we get around broadcast standards? We’re also losing a lot of the value that creators are capturing and could, in many cases, be delivered to end viewers who have the devices to show it. You just can’t be sure that consumers are actually looking at your content on a rec.709-capable device. There’s a lot of diversity on both the capture and display sides and a clear bottleneck in the middle in the form of broadcast and distribution channels.Īdhering to broadcast standards is no longer sufficient to guarantee a good experience for consumers because there’s already too much diversity on the display side alone to rely on one standard. That same content is then displayed on devices with a range of different gamut capabilities from tablets that only cover about 70% of rec.709 to HDTVs that do meet the spec to OLED devices that oversaturate the content. Today, content creators are actually shooting in a wide variety of color spaces ranging from RAW to rec.709 to Adobe 1998. They are then forced to cram all of these different sources into the lowest common denominator rec.709 standard for broadcast or distribution. Content is captured and viewed in a wide variety of gamuts across a range of different devices but only broadcast in one gamut.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |